Wow - it's been a really long time since I last wrote a blog post - exactly a month! I guess my blogposts are like buses - nothing for ages and then 3 come along at once... I have my excuses - one week was half term and since then I have mainly been finishing off things that I have started, annotating my sketchbook in preparation for university interviews. This has caused me a lot of sleepless nights just lying in bed wondering where I am going, what I really want out of my further and higher education and how to talk about art. As I currently have some spare time whilst sat on a piece of lino, warming it ready for cutting, I thought I'd write it all down & see if it will help my insomnia if I set my thoughts free and send them out into the ether for anyone to read...this post is going to be a bit of a personal mental exposure - an insight into what is going on in my mind rather than pretty pictures, so if you're easily bored feel free to leave now! The first thing
For my Swimming Pool piece for Newport Museum, I will be painting an image from underwater photographs I have taken. My intention is to layer the image over 4 sheets of glass. As such, I need to do some research into painting on glass. The intention is to paint on the reverse of the glass, so the paint is protected. This means that the image will need to be reversed and painted from foreground to background, rather than the usual background to foreground. I found this demonstration by glass artist Richard Rowan: Richard Rowan There is much to take from this video - how he applies the paint and how he makes adjustments by putting the glass on a stand so that he can see the image from the 'right side'. The use of palette knife and fingers to apply the paint and the layering of colours, sometimes left to dry for crisp edges, sometimes when wet so that you can blend them. He paints thickly using oils on one single sheet of glass, however as I am thinking of doing 4 laye
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